I visited a theatrical costume museum recently, unfortunately the guide was a pretty boy but bearded, always from behind and we were in a group so I didn’t dare to mention that I was deaf. I didn’t understand anything but I had a good time staring at his posterior!
Seriously, I saw pretty old sewing boxes there. I never had the patience to learn sewing but I am always fascinated by the dexterity and meticulousness of the seamstresses and their attention to the smallest details. In short, these sewing boxes inspired me this little story which I hope you will like.
I
Naïa’s grandmother was a fortune-teller. She braided the threads of lives that she bound for eternity. She embroidered the frayed beards of the fabrics of fallen heroes. She sewed rosebuds on faded bodices and veiled taboos to patch up couples. His shop was famous. All the pains of the heart that the canton counted thronged there. And then, one fine morning, as spring was approaching, she died.
When she died, Naïa inherited her sewing box, a cherry wood box whose wood, polished by years of handling, was as soft as a castle banister. It must be said that the object was transmitted from grandmother to granddaughter for more than two hundred years.
When his mother gave it to him, she also handed him a cloth envelope, closed with an embroidered seal, but she specified:
“First take the time to observe what the box contains, Naïa. Your grandmother, by her gesture, designates you as heiress of the gift, but you must do your scales to begin. For that, you have to familiarize yourself with the tools, the materials, that you appropriate them, that you discipline them and when you can sew with your eyes closed an envelope similar to the one I am giving you, then you will be able to look at what ‘it contains. Not before. »
The tone was solemn, it called for no questions, no answers either.
Naïa took the envelope, put it aside and gently opened the box. This had five compartments: that of wool, cotton, silk and linen threads, that of braid and sequins, that of buttons and staples, that of pieces of fabric and that of pins, needles and hook guarded by a silver thimble.
For several weeks, Naïa scrupulously reviewed the contents of the box. She analyzed it, inventoried it, classified it. Finally, when she knew the box by heart, she got down to sewing.
She began with small jobs, the first of which was the making of a black, opaque headband, to learn how to sew blind. Gradually, she became more complex. She systematically did everything twice, once while watching, once blindfolded and, in case of error, started again and again.
She trained for two months before becoming interested in the envelope. Then, she listened to it patiently and tried to reproduce it by choosing her needle carefully. She copied it, several times, looking, applying herself. Finally, when she had acquired perfect control of her gesture, she adorned herself with her blindfold. She often pricked herself, but insisted. It was the embroidered seal that was the most difficult to achieve, but, at the end of June, the envelope was made, identical to that of her grandmother. So she opened the latter and found an enigmatic letter inside.
II
“Naiah,
The gift does not exist. In reality, none of us have ever actually possessed it. It comes from the thimble.
For him to reveal himself, you will have to choose a knight. To do this, follow these instructions:
First, go to the cemetery. Find a grave that holds a brave man, one of those who died in battle – no matter what war they were fighting. Do not choose a deserter, this one will never help you. Find out about his past. Choose a man who loved, without being afraid and without counting, as one throws oneself into an abyss, one needs a passionate being. Choose well, Naïa, you can’t go back, you can’t start again.
As soon as you have found the grave, dig the earth with your bare hands, collect the one that remains hanging under your fingernails and fill the thimble with it. Press well, nothing should fall out when you flip the dice. Filled flush. Water this soil with orange blossom, every morning, for a week, at a fixed time.
Then, slip the die into the envelope you just made. Seal it up, put it in the sewing box and wait to hear it wiggle. At this time, you will open it. »
Naïa went to the cemetery, she noted on a paper the names of the possible pretenders to the title of knight, she searched, in the archives of the city, their feats of arms, their history. She questioned the families, eliminated little by little those who were not suitable, then made up her mind.
She followed her grandmother’s instructions step by step and in the month of November, on the third precisely, the envelope was shaken. Thus was born the knight Lord Emeric of the thimble.
It was tiny: two legs of midnight blue wool, two arms of braided yellow cotton thread, black sequins instead of feet, others, gold, instead of hands and, for a helmet, a press stud; all emerging from his thimble armour. Barely out of the envelope, he seized the spear hook and proud of his new gleam, in a surprisingly thin voice, spoke to Naïa:
— Good day, lady, what can I do for you?
Naïa was surprised by the tone and the formula which contrasted with the sudden familiarity, but probably that was how a knight spoke. She was not disconcerted:
— Hello, Lord! I will call you Lord, it will be easier. In reality, I don’t know yet what you can do since I don’t yet know what you can do. What can you do ?
Lord then declaimed:
“I am the anti-heartbreaker
The Tailor of Woven Fates
The ardor mechanic
The healer of wounded loves! »
What lyricism, boastfulness! Naïa told herself that she had not chosen the most humble of knights…
“Perfect, Lord, but, in practice, how does it work?”
— I do not know, Naïa. By crowning me a knight of the thimble today, you awaken great powers that I have never before been confronted with. But do not be afraid, my dear, I nobly carry out the tasks, which with honor, they come to entrust to me.
— Okay… let me think.
— My devotion will be as it always was: flawless. No one can claim that in the past I fled before the slightest obstacle or that I refused to face…
— Shut up, Lord, please! I said, “Let me think”!
— Certainly, I consent to it, but when Lady Fortune unites, as here…
— Lord!
— Damn, but if…
— Stop!
— If it suits you.
Naïa had, until then, followed her grandmother’s instructions, but it was clear that she was coming to the end of her roadmap. Sitting in the workshop that had served as a shop, in front of her sewing box, associated with an elf hungry for archaic words of which the tomb had deprived her, Naïa began to doubt the relevance of her choice. She was proud of the hopes placed in her and wanted to prove herself worthy of them, but it had to be admitted that the situation was funny. She was going to have to discipline Lord whose verve exasperated her, but above all find how to use her “powers” to work for the happiness of all.
Naïa thinks that her knight needed a mission that would serve as a trial run to test his abilities. She knew that the Tellier sisters were angry, she told herself that reconciling them could constitute a first challenge whose consequences, in the event of failure, would be limited. However, she preferred to act in the shadows.
So she submitted the idea to Lord and waited for his instructions. This one, perhaps offended by the fact that she had molested him, was, this time, concise: it was necessary, to begin with, that she bring him back a few hairs from each of the Telliers. Naïa therefore waited, hidden in the thickets, in front of their home and as soon as they left, broke in, inquired about their brushes in the bathroom and took her loot there.
As soon as she returned to the workshop, she handed her treasure to Lord. He seized it religiously, settled down cross-legged on the table and began to weave. He metamorphosed thus concentrated. Naïa looked at him, fascinated. A ballet was a ballet, there was so much grace in his gestures. He worked in silence, skilfully mixing brown and blond hair with cotton and silk threads. When he was done, he handed Naïa a one-centimeter square that she detailed on the count. She then discovered, in the intertwining of fibers, a complex pattern of great finesse that looked like a cabalistic sign.
The next day at the market, the Tellier sisters laughed together in front of the fishmonger’s stall.
It was time to reopen the store.
III
Naïa saw a lot of people marching by as soon as trade resumed. The division of labor between her and Lord was simple. She received customers, served them tea, made them sit down and questioned them. Lord, hidden in the sewing box, was listening. Then they debriefed. Lord then drew up the list of what he needed, then, after Naïa had provided him with the necessary material, sat down on the table – like the very first time –, the open box at his side, and began his work. .
On the weekends, when the shop was closed, Lord gave Naïa sewing challenges and Naïa gladly played. Lord was still winning, but Naïa was constantly improving.
Years passed like this, many conflicts were settled, one would have thought that the region was a huge game of go where dark designs were followed by the return of white innocence. The reputation of the shop no longer stopped at the borders. So, six years after Lord and Naïa met, Ludmila entered the shop.
Naïa, barely arrived, had just opened the box to say hello to the knight when this beautiful sixty-something Russian entered. Dumbfounded by her beauty, Naïa did not have the reflex to close the box in time. The damage was done…
This woman was a doll with white hair and high cheekbones, rosy with the coolness of the air. In his intelligent eyes, of a blue “heart of a glacier illuminated by the sun”, there was a strange mixture of firmness and softness. Her clothes of splendid fabrics, from the dress to the coat, were only shimmering.
Naïa, captivated, welcomed him with deference, as one welcomes a princess… And Lord came out of his box declaiming:
— Madam, I have been looking for you for so many years.
That’s when it all went wrong… Ludmila pocketed the thimble with everything it contained and ran away.
Naïa could not catch up with her.
Despite her efforts to continue to treat pain, restore souls, quench sorrows, without Lord, Naïa could not repair everything. But she didn’t lose hope and bought a thimble…maybe the gift would come back.
Naïa died six months ago. Today, I managed to make, with my eyes closed, an envelope identical to the one she gave me. My mother told me her story. Tomorrow, I will go to the cemetery, I will look for a knight and then, we will see if the gift accepts to manifest itself again.
Nilsa's world 